This stool pays homage to the paper cuttings Matisse made. In using simple shapes, he was able to realize complex shapes and ideas as simple silhouettes. I pay attention to the idea of intersection in arranging these blobs and flourishes on the embroidered top of this stool.
The perceived “overlaps” calls attention to the way in which objects can share spaces by means of just intersecting. Just as in art, the practice of intersection and overlap is vital to a healthy thriving community. Especially given the joined power of collectives and the lack of space to accommodate individuals alone, I hope this piece reminds audiences of the way in which interactions contribute to the vitality of their quotidian life.
For this piece, I also chose to lay the embroidery on a stool instead of displaying it as a lone wall hanging in aim of practicality. This piece is both aesthetically intriguing and practical in any home, however large or small, eclectic or modern.
Skylar Cheung is a Toronto-based oil and textile artist. She strives to call attention to underrepresented subjects through her art. Such subjects include wildlife protection and unpaid womxn's labor.
She is also an undergraduate studying political science at the University of Toronto, where she is also serving an Undergraduate Fellowship in the Ethics of AI at their Centre for Ethics. Skylar strives to use art as both an educational medium and as a prompt for reflection. Her work has been shown in venues such as Arts Etobicoke, Myseum, and the Joint Math Meetings' Bridges Gallery in Denver, Colorado.